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The word bassoon comes from French basson and from Italian bassone (basso with the augmentative suffix -one). [3] However, the Italian name for the same instrument is fagotto, in Spanish, Dutch, Danish, Czech, Polish, Serbo-Croatian and Romanian it is fagot, [4] in German it is fagott and in Portuguese it is fagote.
Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia: battle: An instrumental or vocal piece suggesting a battle Bergamasca ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Fagotto (Italian) Fagot (Dutch) Fagott (German) Bassoon (English) Basson (French) Reed: A 16 ft or 8 ft pitch chorus reed. Inverted conical construction, softer than a trumpet or trombone. Flageolet (English/French) Flageoletta (Italian) Flautim (Spanish) Fistula Minima (Latin) Flute: An open flute stop of 2 ft or 1 ft pitch. Flûte Octaviante ...
Il signor Fagotto is a one-act opérette by Jacques Offenbach to a French libretto by Charles-Louis-Étienne Nuitter and Étienne Tréfeu, first performed in 1863. [1] The story of a father outwitted and true love winning is set within "a burlesque of musical styles".
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Concerto per fagotto ed orchestra (1845, attributed to Rossini, authenticity questionable) [1] Scherzo (1843) Tema originale di Rossini variato per violino da Giovacchino Giovacchini (1845) Marcia (1852) Thème de Rossini suivi de deux variations et coda par Moscheles père (1860) La corona d'Italia (1868)
In orchestral music it often happens that certain of the instruments play in unison; when this is the case the parts are sometimes not all written in the score, but the lines belonging to one or more of the instruments are left blank, and the words coi violini or col basso, etc., are added, to indicate that the instruments in question have to ...