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As pop music began incorporating psychedelic sounds, the genre emerged as a mainstream and commercial force. [33] Psychedelic rock reached its peak in the last years of the decade. [7] From 1967 to 1968, it was the prevailing sound of rock music, either in the whimsical British variant, or the harder American West Coast acid rock. [34]
[58] [nb 5] The song sparked a craze for the sitar and other Indian instrumentation [63] – a trend that fueled the growth of raga rock as the India exotic became part of the essence of psychedelic rock. [64] [nb 6] Music historian George Case recognises Rubber Soul as the first of two Beatles albums that "marked the authentic beginning of the ...
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world.
Acid rock is a loosely defined type of rock music [1] that evolved out of the mid-1960s garage punk [2] movement and helped launch the psychedelic subculture. The style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams.
Turn On Your Mind: Four Decades of Great Psychedelic Rock. Hal Leonard Corporation. ISBN 0-634-05548-8. DeRogatis, Jim (2006). Staring at Sound: The True Story of Oklahoma's Fabulous Flaming Lips. Broadway Books. ISBN 978-0-7679-2140-4. Mojo (2007). Irvin, Jim (ed.). The Mojo Collection: The Ultimate Music Companion (4th ed.). Canongate Books.
It's Psychedelic Baby! Magazine – articles, interviews, and reviews of 60s psychedelic and garage acts; Start – Website devoted to covering as many as 1400 Dutch Nederbeat bands of the 60s (in both Dutch and English) Ugly Things – magazine that provides information on garage rock and vintage from the 1960s and other eras
Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
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