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The bassoon embouchure is a very important aspect of producing a full, round, and rich sound on the instrument. The lips are both rolled over the teeth, often with the upper lip further along in an "overbite".
Tonally, it sounds similar to the bassoon, but at all parts of its compass is distinctly different in tone from it. There is a "thinning" of the sound in extreme high register, as in all double reeds, but unlike oboe and bassoon which become more penetrative and "intense" in this register, the contrabassoon's sound becomes less audibly ...
The bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon.
Free reed aerophone instruments are likewise unique since sound is produced by 'free reeds' – small metal tongues arranged in rows within a metal or wooden frame. The airflow necessary for the instrument's sound is generated either by a player's breath (e.g. harmonica), or by bellows (e.g. accordion). [13] [14] [non-tertiary source needed]
The baroque rackett, sometimes called a "pocket bassoon" or "sausage bassoon", conversely, sounds much like a dulcian or baroque bassoon, and can easily blend with the same kind of ensemble instruments—violas da gamba, cornetti, historical keyboards, baroque recorders, and small baroque orchestras.
In many regards the smaller bassoons play much like the full-size bassoon.Currently there are three sizes available from four different makers. [Moosmann makes an instrument in F (a fourth higher than the normal bassoon) with simplified fingerings that descend only to low C and is intended for young children.
Several contemporary works have been commissioned and composed, and serpents are again made by a small number of contemporary manufacturers. The sound of a serpent is somewhere between a bassoon and a euphonium, and it is typically played in a seated position, with the instrument resting upright between the player's knees.
The contrabassophone is a woodwind instrument, invented about 1847 by German bassoon maker Heinrich Joseph Haseneier. [1] It was intended as a substitute for the contrabassoon, which at that time was an unsatisfactory instrument, with a muffled sound due to tone holes that were too small and too close together.