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Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work ...
O'Keeffe died in Santa Fe in 1986 at the age of 98. Her life "opens a door on women in America and art in America," Wagner said. "Her life spans almost the entire century.
Georgia Totto O'Keeffe was born on a farm near Sun Prairie in Wisconsin's Dane County on Nov. 15, 1887. She was the second oldest child and oldest daughter of Francis Calyxtus O'Keeffe and Ida ...
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta Painted in oil on a 13 in × 9 + 1 ⁄ 2 in (33.0 cm × 24.1 cm) board, the red canna lily framed by green and dark yellow background colors at the top and right of the painting and dark blue at the bottom and left. [ 9 ]
Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3]
Light Coming on the Plains is the name of three watercolor paintings made by Georgia O'Keeffe in 1917. They were made when O'Keeffe was teaching at West Texas State Normal College in Canyon, Texas. [1] They reflect the evolution of her work towards pure abstraction, and an early American modernist landscape. They were unique for their time.