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Later Greek and Roman tunics were an evolution from the very similar chiton, chitoniskos, and exomis, each of which can be considered versions of the garment. In ancient Greece, a person's tunic was decorated at the hemline to represent the polis (city-state) in which he lived. Tunics might be dyed with bright colours like red, purple, or green.
The cotte (or cote) was a medieval outer garment, a long sleeved shift, or tunic, usually girded, and worn by men and women. In medieval texts, it was used to translate tunica or chiton. Synonyms included tunic or gown. It was worn over a shirt , and a sleeveless surcote could be worn over it. By the sixteenth century, it had become a woman's ...
However, the introduction of commercial fabric made this costly, and many indigenous women stopped making this fabric or making simpler versions. By the early 1800s, women began to wear undecorated huipils or European style blouses. By the end of the 19th century, most Maya women had forgotten the technique of brocade weaving entirely. [3]
Women's tunics were usually ankle or foot-length, long-sleeved, and could be worn loosely or belted. [9] For comfort and protection from cold, both sexes could wear a soft under-tunic or vest ( subucula ) beneath a coarser over-tunic; in winter, the Emperor Augustus , whose physique and constitution were never particularly robust, wore up to ...
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Tracing its roots to Central Asian nomadic tunics, or upper body garments, of the late-ancient- or early-medieval era, the kurta has evolved stylistically over the centuries, especially in South Asia, as a garment for everyday wear as well as for formal occasions. [5] The kurta is traditionally made of cotton or silk.
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