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Slashdot voted the Future Crew demo Second Reality as one of the "Top 10 Hacks of All Time". [7] Tributes to Future Crew include a 3D graphics benchmark called Final Reality by Remedy Entertainment (shown at Assembly 1997), and a remake of Second Reality for the Commodore 64 by Smash Designs called Second Reality 64 (released at The Party 1997).
Dolby Atmos in theaters has a 9.1 (commonly referred to as 7.1.2) channel-based "bed" channels for ambience stems or center dialogue, leaving 118 tracks for objects. [16] Atmos for home in film, television, and music uses a technique called "spatial coding" to reduce the audio to up to a maximum of 16 concurrent "elements" or audio location ...
Dolby AC-3 (a backronym for Audio Codec 3, Advanced Codec 3, or Acoustic Coder 3), also known as ATSC A/52 (name of the standard) [18] or simply Dolby Digital (DD), is the common version containing up to six discrete channels of sound.
3 front channels + 2 rear channels + 3 channels reproduced in the rear in total + 1 LFE channel = 3/2:3.1 The term stereo, although popularised in reference to two channel audio, historically also referred to surround sound, as it strictly means "solid" (three-dimensional) sound. However this is no longer common usage and "stereo sound" almost ...
To store 5.1 tracks in 88.2/20, 88.2/24, 96/20 or 96/24 MLP encoding is mandatory. If no native stereo audio exists on the disc, the DVD-Audio player may be able to downmix the 5.1-channel audio to two-channel stereo audio if the listener does not have a surround sound setup (provided that the coefficients were set in the stream at authoring ...
DTS-HD MA can store up to 8 discrete channels of audio (7.1 surround) at up to a 24 bit sample depth and 192 kHz sampling frequency (96 kHz for 6.1 or 7.1 surround). [2] Although DTS-HD MA, and the related DTS-HD, allow virtually any number of channels in the abstract, [ 3 ] these limits are imposed for practical reasons of limited storage and ...
DTS Neo:PC: This is a technology based on the DTS Neo:6 matrix surround technology, which transforms any stereo content (MP3, WMA, CD Audio, or games) into a simulated 7.1-channel surround sound experience. The 7.1-channel surround sound is output as a DTS stream for output via a S/PDIF cable port.
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.