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Medium close-up; Close-up; Extreme close-up; Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera views and ...
Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face.
Medium shots are divided into singles (a waist-high shot of one actor), group shots, over-the shoulders or two-shots (featuring two people). [6] A medium wide shot, or American shot, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot.
Low angle shots in which the camera is pointed up at a subject tend to make the subject appear more powerful or stronger. While high angle shots can make a subject appear weaker. These interpretations of camera angles, however, ultimately derive from the notion that bigger is better. The lateral movement of a subject across the screen can also ...
The master shot is filmed first, since coverage must match what occurs in the master. [5] Coverage consists of all the other shots—close-ups, medium shots, point-of-view shots, shot reverse shots, and others—required by the director to tell the story. All of these shots must obey the 180-degree rule. [17] "Call" (the shot of the first actor ...
In a close up, the environmental cues are at a minimum. It is the responsibility of the director , cameraman , and script supervisor on the set to maintain consistency of screen direction so that later during editing, the myriad short pieces of film can be properly assembled by the editor into a coherent film that tells the story intended.
By moving the camera closer to the axis for a close-up shot, it can amp up the intensity of a scene when paired with a long shot. [8] When the camera is moved further away from the axis for a long shot after a close-up shot, it may provide a break in the action of the scene. [9]
A "wide two shot" is a master shot showing two people using a wider lens, including an overview of their surroundings. A "close two shot" is a close-up with two people's heads in the frame, shot with a long lens. This framing is often used for shots of two people kissing or in moments of great dramatic tension.