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This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [ 1 ] Among these paintings, however, are many widely known and influential works.
46 artworks by or after Diego Velázquez at the Art UK site; Velázquez works at the Web Gallery of Art; Velázquez at Artcyclopedia.com; 202 paintings by Diego Velázquez at DiegoVelazquez.org; Diego Velázquez at WikiPaintings.org; Diego Velazquez's Online Exhibition at Owlstand.com; Diego Velázquez, Collection of resources and illustrated ...
Diego Velázquez's Christ in the House of Martha and Mary, 1618. The smaller image may be a view to another room, a picture on the wall, or a reflection in a mirror. Many aspects of Las Meninas relate to earlier works by Velázquez in which he plays with conventions of representation.
Portrait of Pope Innocent X is an oil on canvas portrait by the Spanish painter Diego Velázquez, created during a trip to Italy around 1650. Many artists and art critics consider it the finest portrait ever created. [1] It is housed in the Galleria Doria Pamphilj in Rome.
Portrait of a Man is an oil painting by Diego Velázquez, measuring 68.6 × 55.2 cm (27 × 21 3 ⁄ 4 in.), the frame is from Northern Spain and painted c. 1630–1635. The painting is in the collection of the Metropolitan Museum of Art in New York City.
The Infanta Maria Theresa of Spain or The Infanta Maria Theresa aged 14 is a portrait by Diego Velázquez of Maria Theresa of Spain, from 1653, when she was about thirteen years. [1] It has been cut down at the top and bottom and is now in the Kunsthistorisches Museum in Vienna .
The Triumph of Bacchus (Greek: Ο Θρίαμβος του Βάκχου) is a painting by Diego Velázquez, now in the Museo del Prado, in Madrid.It is popularly known as Los borrachos or The Drinkers (also The Drunks).
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
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