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The Score is the second [4] studio album by the hip hop trio Fugees, released worldwide on February 13, 1996, on Columbia Records.The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip-hop music scene in the mid- to late-1990s.
The Score released their debut EP, The Score EP, in 2014, which features earlier songs, "Dancing Shoes" and "Don't Wanna Wake Up".The EP also contained their earlier released covers of "Say Something" and "Holy Grail" as bonus tracks, as well as new songs, "Til The Stars Burn Blue", "Haunted", and "This Beating Heart" and a ScoreSundays acoustic version of "Dancing Shoes".
In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200, and was later certified seven-times platinum by the Recording Industry Association of America (RIAA). [7] [8] And sold 22 million copies worldwide. It also performed well in ...
The Score, 1996 album by the Fugees; The Score, 2016 album by Aaron Pritchett; The Score – An Epic Journey, soundtrack to the 2005 film Joyride; Radio.
The track list for the album was revealed in a special MySpace revelation on May 12, 2010. The third soundtrack in The Twilight Saga series, the album debuted at number two on the U.S. Billboard 200 albums chart with sales of 146,000 copies. [2]
[1] [2] While the score album originally consisted of twenty-four tracks, an additional track, "Lava", from the Pixar short film of the same title, which accompanied with the film's theatrical release, was included in the soundtrack list. A 7-disc vinyl album was released in 2016, with cover artworks depicting the different characters in the ...
The first such album to be commercially released was Walt Disney's Snow White and the Seven Dwarfs, the soundtrack to the film Snow White and the Seven Dwarfs, in 1938. [2] The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film Rudyard Kipling's Jungle Book, composed by Miklós Rózsa. [3]
The score featured a noted usage of turntable scratching. [46] In his cover notes for the album, Pemberton elaborated that the idea of "using sounds generated on a DJ turntable as a key element" in the score came about after his consideration of the type of music a teenager would be listening to. [47]