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The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip. The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006.
A number of classical pianists have found success as accompanists rather than soloists; arguably the best known example is Gerald Moore, well known as a Lieder accompanist. In some American schools, the term collaborative piano is used, and hence, the title "collaborative pianist" (or collaborative artist) is replacing the title accompanist ...
Martin Katz (born November 27, 1945) [1] is an American pianist, educator and conductor, primarily known for his work as an accompanist.. Katz was trained as a collaborative pianist by Gwendolyn Koldofsky at the Thornton School of Music, part of the University of Southern California; where he was a member of the USC's music fraternity Phi Mu Alpha Sinfonia.
Pianist Dave Brubeck and his quartet recorded an entire album of Dennis's compositions, released as Angel Eyes in 1965. [2] In 2012, Jasmine Records re-released four of Dennis' records as "Welcome Matt". The collection included "Plays and Sings Matt Dennis", a 1958 live performance by Dennis' piano trio, of twelve tunes that Dennis had co ...
Songs with instruments besides piano (e.g., cello and piano) and/or other singers are referred to as "vocal chamber music", and are usually not considered art songs. [ 6 ] Songs originally written for voice and orchestra are called "orchestral songs" and are not usually considered art songs, unless their original version was for solo voice and ...
Cosmé McMunn (February 22, 1901 – August 22, 1980), who used the name Cosmé McMoon, was an Irish-Mexican-American pianist and composer, who worked as the accompanist to tone-deaf soprano Florence Foster Jenkins. [2] [3]
Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. [4]
He was an accompanist for Perry Como, Peter Lind Hayes, and Arthur Godfrey. Many of his compositions were collaborations with lyricist Al Stillman. Allen lived in New Rochelle, New York from 1963, much of his professional life.