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Quatro was born and raised in Detroit, Michigan, United States. [2] [7] Her father, Art, was a semiprofessional musician and worked at General Motors.Her paternal grandfather was an Italian immigrant to the U.S. and her mother, Helen, was Hungarian and she died in 1992.
Welch accepted his invitation and the two recorded "Sweet Nothing". The track premiered on The Chris Moyles Show on BBC Radio 1 on 28 August 2012 and was later released as the fifth single from the album on 12 October 2012. "Sweet Nothing" is an electronic dance music song, with heartfelt vocals and an escalating beat. Lyrically, it talks about ...
The title of "Sweet Nothing" was revealed in the October 7, 2022, episode. [5] Republic Records released Midnights on October 21, 2022; [6] "Sweet Nothing" is number 12 on the standard track listing. [7] A "Piano remix" of the song is included on the Lavender Edition deluxe CDs of the album, released exclusively via Target stores. [8] "
Some fans took Swift’s social media activity as an indication that she penned “Sweet Nothing” in honor of the McCartneys, who were married from 1969 to 1998.
The song from 'Midnights' captures the dynamic between Swift and the song’s co-writer: Joe Alwyn.
You're Cheatin' Yourself (If You're Cheatin' on Me) 1957: Al Hoffman, Dick Manning: You're Driving Me Crazy: 1966: Walter Donaldson: You're Getting to Be a Habit With Me: 1956: Al Dubin, Harry Warren: You're Gonna Hear from Me: 1966: André Previn, Dory Previn: You're Lonely and I'm Lonely: 1940: Irving Berlin: You're My Girl: 1947: Sammy Cahn ...
Like in the song "T.B. Sheets", the singer tells of watching a young girl die, but in "Slim Slow Slider" the girl seems bent on her own self-destruction: "I know you're dying, baby / I know you know it too." The song ends abruptly with the words, "Every time I see you, I just don't know what to do."
"Sweet Thing" is a song performed by American funk and R&B band Rufus with vocals by band member Chaka Khan. As a single, it peaked number five on the US Billboard Hot 100 in 1976. Mary J. Blige recorded her version, which charted in the United States and New Zealand in 1993.