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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
Tsuruta specialized in the ancient pear-shaped plucked lute called the biwa, [1] and also sang. She developed her own form of the Satsuma biwa, [2] which is sometimes referred to as Tsuruta biwa. This biwa differs from the traditional Satsuma biwa in the number of frets, construction of the head, and occasionally a doubled 4th string.
Mie to 未唯mie: 1981–2023 All Time Best: Mie: Victor [65] Sagas: Valshe: Being [66] 1988: Rockon Social Club Tokyo Records [67] The Day The World Looks Different: Miyuki Nakajima: Yamaha Music Communications [68] Tank-top Flower for Friends: Yabai T-Shirts Yasan Universal Sigma [69] Between Dread and Valor: Galneryus: Warner Music Japan [70 ...
Japanese folk songs (min'yō) can be grouped and classified in many ways but it is often convenient to think of five main categories: fisherman's work song, farmer's work song; lullaby; religious songs (such as sato kagura, a form of Shintoist music) songs used for gatherings such as weddings, funerals, and festivals (matsuri, especially Obon)
Biwa hōshi (琵琶法師), also known as "lute priests", were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks.
Hōichi-dō (Hōichi's shrine) in Akama Shrine. Hoichi the Earless (耳なし芳一, Mimi-nashi Hōichi) is the name of a well-known figure from Japanese folklore. His story is well known in Japan, and the best-known English translation first appeared in the book Kwaidan: Stories and Studies of Strange Things by Lafcadio Hearn.
Professional players can produce virtually any pitch they wish from the instrument, and play a wide repertoire of original Zen music, ensemble music with koto, biwa, and shamisen, folk music, jazz, and other modern pieces. Much of the shakuhachi 's subtlety (and player's skill) lies in its rich tone colouring, and the ability for its variation.