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End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
The poem was also included in a book by Harte titled Poems, released in January 1871. Several periodicals and books would republish the poem with illustrations. [1] In April 1870, James T. Fields had published a collection of Harte's stories, The Luck of Roaring Camp and Other Sketches through the Fields, Osgood, & Co. imprint. [5]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Isabella Whitney (fl. 1567–1573), earliest identified woman to publish secular poetry in English Lady Mary Wroth (1587–1651/1653), prolific English author 17th century
Flagellation (Latin flagellum, 'whip'), flogging or whipping is the act of beating the human body with special implements such as whips, rods, switches, the cat o' nine tails, the sjambok, the knout, etc. Typically, flogging has been imposed on an unwilling subject as a punishment; however, it can also be submitted to willingly and even done by ...
The poem echoes Yeats' fascination with the Irish peasantry. Written in first person, the poem explains the difficult chores and struggles of an aged, unfortunate woman and her bitter resentment to the young children, whose worries of fondness and personal appearance pale to insignificance when compared to the toils of the old woman.
Johnson's 18th-century definition was: "A clamourous, rude, mean, low, foul-mouthed woman", suggesting a level of vulgarity and a class distinction from the more generalised shrew, but this nuance has been lost. [26] In Johnson's time, the word formed part of a legal term, common scold which referred to rude and brawling women see below. [27]