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Ternary form, sometimes called song form, [1] ... In a trio form each section is a dance movement in binary form (two sub-sections which are each repeated) ...
in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) an ensemble of three instruments or voices performing trio compositions.
However, there is no early dance notation and it is difficult to assess the early interaction of the folk dance and the courtly dance. Musically, the bourrée took on the common binary form of classical dance movements, sometimes extended by a second bourrée, the two to be played in a grand ternary form A–(A)–B–A.
Rounded binary is not to be confused with ternary form, also labeled ABA—the difference being that, in ternary form, the B section contrasts completely with the A material as in, for example, a minuet and trio. Another important difference between the rounded and ternary form is that in rounded binary, when the "A" section returns, it will ...
Like most dance movements of the Baroque period it is typically in binary form but this may be extended by a second melody in the same metre, often one called the musette, having a pedal drone to imitate the French bagpipes, played after the first to create a grand ternary form; A–(A)–B–A. [1] There is a Gavotte en Rondeau ("Gavotte in ...
Mozart's German dances are, like the minuets, in ternary form, but normally with a coda added. Abert notes that the coda "in most cases relates back to the final dance and frequently includes all manner of orchestral jokes". [5] For an example of the German dances, see Three German Dances, K. 605.
By comparison, Euro-American social dance music is designed around eight- or sixteen-measure sections that are repeated, according to closely related keys (i.e. tonic, dominant, subdominant). [8] In Postlewaite's "St. Louis Grey's Quick Step", for example, the large-scale form of the work is the minuet-trio, consisting of three four-measure ...
The second movement, a D major dance in ternary form, is in 5 4 time; it has been described as a "limping" waltz. [18] The opening whirling, first presented as a cello section solo, contrasts with a darker B section in B minor, the tonic minor of the symphony.