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Travelogue is the second full-length studio album released by British synth-pop group The Human League, released in May 1980.It was the last album with founding members Ian Craig Marsh and Martyn Ware, as they would leave to form Heaven 17 later that year.
The Human League then evolved into a commercially successful new pop band, [2] with the line-up comprising Oakey, Wright, vocalists Joanne Catherall and Susan Ann Sulley, bassist and keyboard player Ian Burden and guitarist and keyboard player Jo Callis. Wright, Burden and Callis all left the band by the end of the 1980s, since which time the ...
The Human League Video Single: VHS, Beta: Contains videos for "Mirror Man", "Love Action" and "Don't You Want Me". 1988 Human League Greatest Hits: VHS, LD: Tie-in with 1988 Greatest Hits, containing videos for all tracks on that album except "Being Boiled" and "Love Is All That Matters", plus "Circus of Death". 1995 The Human League Greatest ...
The performance was officially issued for the first time on the DVD of the 2016 anthology by The Human League, A Very British Synthesizer Band. [4] The anthology CD also features "Nightclubbing" as a standalone song without being immediately preceded by "Rock 'n' Roll".
The tracks were written and performed by The Human League featuring a line-up of Martyn Ware, Ian Craig Marsh and Phil Oakey. It was released as the follow-up to their earlier single " Being Boiled " (b/w "Circus of Death") on Fast Product Records , the label on which the band released their early singles.
"I Love Rock 'n Roll" Joan Jett & The Blackhearts: 4 "Ebony and Ivory" Paul McCartney and Stevie Wonder: 5 "Centerfold" The J. Geils Band: 6 "Don't You Want Me" The Human League: 7 "Jack & Diane" John Cougar: 8 "Hurts So Good" John Cougar: 9 "Abracadabra" Steve Miller Band: 10 "Hard to Say I'm Sorry" Chicago: 11 "Tainted Love" Soft Cell: 12 ...
"Being Boiled" was the debut single by the British synth-pop band the Human League. Composed by Martyn Ware and Ian Craig Marsh, with lyrics by Philip Oakey, it is regarded as a seminal work in early synth-pop. [5] [better source needed]
In 1985, recording for the Human League's fifth album was not going well. The band did not like the results, which caused internal conflict. Virgin Records executives, worried by the lack of progress from their at-the-time most profitable signing, suggested the band accept an offer to work with producers Jimmy Jam and Terry Lewis, who had material to work with and had expressed an interest in ...