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Chan Buddhism was influenced by all the previous Chinese Buddhist currents. The Mādhyamaka of Sengzhao, for example, influenced the views of the Chan patriarch Shen Hui (670-762), a critical figure in the development of Chan, as can be seen by his "Illuminating the Essential Doctrine" (Hsie Tsung Chi).
A Definition Etymology In other languages abhidhamma A category of scriptures that attempts to use Buddhist teachings to create a systematic, abstract description of all worldly phenomena abhi is "above" or "about", dhamma is "teaching" Pāli: abhidhamma Sanskrit: abhidharma Bur: အဘိဓမ္မာ abhidhamma Khmer: អភិធម្ម âphĭthômm Tib: ཆོས་མངོན་པ ...
Nirvana in some Buddhist traditions is described as the realization of sunyata (emptiness or nothingness). [11] Madhyamika Buddhist texts call this as the middle point of all dualities (Middle Way), where all subject-object discrimination and polarities disappear, there is no conventional reality, and the only ultimate reality of emptiness is ...
In Buddhism, the three marks of existence are three characteristics (Pali: tilakkhaṇa; Sanskrit: त्रिलक्षण trilakṣaṇa) of all existence and beings, namely anicca (impermanence), dukkha (commonly translated as "suffering" or "cause of suffering", "unsatisfactory", "unease"), [note 1] and anattā (without a lasting essence).
According to Takeshi Umehara, some ancient texts of Buddhism state that the "truly Absolute and the truly Free must be nothingness", [14] the "void". [15] Yet, the early Buddhist scholar Nagarjuna , states Paul Williams, does not present "emptiness" as some kind of Absolute; rather, it is "the very absence (a pure non-existence) of inherent ...
As noted by Roger Jackson, some non-Buddhist writers, like some Buddhist writers both ancient and modern, have argued that the Madhyamaka philosophy is nihilistic. This claim has been challenged by others who argue that it is a Middle Way ( madhyamāpratipad ) between nihilism and eternalism.
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Buddhist sources also suggest that real corpses were originally observed as part of the practice, without the practitioner relying on pure imagination. This was possible in cultural contexts where corpses were left exposed in graveyards and fields. With training, the image could be retained and summoned at will, as in the tale of Genpin above.