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The Taima mandala is based on the Contemplation Sutra, but other similar mandalas have been made subsequently. Unlike mandalas used in Vajrayana Buddhism, it is not used as an object of meditation or for esoteric ritual. Instead, it provides a visual representation of the Pure Land texts, and is used as a teaching aid.
Normally about 12–18 inches (300–460 mm) in length, they taper to a fine point and are made with varying diameter holes at the end in order to disperse the sand in a controlled way. A Tibetan monk will usually tap glide a piece of wood over the ridges in order to slowly allow the sand to emerge through the hole through the vibrations created.
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati, the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center. The original copy was made around 763 AD, and is currently kept at Taima-dera temple in Nara. Many copies have been made ...
The block books of Europe were produced using methods and materials similar to those in China and sometimes in ways contrary to prevailing European norms: European wood blocks were cut parallel with the grain in the same way as the Chinese method rather than the prevailing European practice of cutting across the grain, water-based ink was used ...
Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix ...
Mandala is the Sanskrit word for “circle” and a decorative illustration representing elevated thought and more profound meaning (per World History Encylopedia). The intricate designs start ...
Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground. The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ocher, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink.
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