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Gregório de Matos e Guerra (December 23, 1636 – November 26, 1696) was a famous Portuguese Baroque poet from Colonial Brazil.Although he wrote many lyrical and religious poems, he was better known for his satirical ones, most of them criticizing the Catholic Church, earning him the nickname "Boca do Inferno" (Hell's Mouth).
The identification of their mutual life with the life of nature was complete; guilt of the friend was both their guilt and the guilt of life itself. [11] It also puts across the idea that the poem with its shifts and changes offers not information about the mutability of the human condition, but rather participation in an actual experience of ...
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In Joseph Severn's Scene from Pope's Eloisa to Abelard, Eloisa is already in the nun's habit and looks back with regret at her kneeling lover as she is led into the cloister; the steps behind her are littered with rose petals from the ceremony that has made her just now the ‘spouse of God’. [47] Though the poem is an epistle, it contains ...
These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day.
This is not to say that the poem bears no affinities with Milton's earlier work, but scholars continue to agree with Northrop Frye's suggestion that Paradise Regained is "practically sui generis" in its poetic execution. [2] Frontispiece of Paradise Regained, circa 1671. One major concept emphasized throughout Paradise Regained is the idea of ...
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The poem addresses the Mother of God, thanking her for hearing her prayers and pleading for a bright future. When it was included in the collection The Raven and Other Poems it was lumped into one large stanza. In a copy of that collection he sent to Sarah Helen Whitman, Poe crossed out the word "Catholic."