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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
Sousa holding a copy of the sheet music for his march "The Invincible Eagle" John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. [1] He composed 136 marches from 1873 until his death in 1932.
There is a brief fanfare for trumpets and timpani, a parody of a funeral march, and a Bergamask dance. The dance uses Bottom's braying from the overture as its main thematic material. The play has three brief epilogues. The first is introduced with a reprise of the theme of the "Wedding March" and the fairy music of the overture.
Mariano Soriano Fuertes y Piqueras (28 March 1817 - 26 March 1880); [49] Soriano's surname was misspelled as "Sorriano" on the title page. [50] There is no information about the source of this piece or how Liszt came to know it, but it is speculated it may have been a melody from a zarzuela , as it is known Liszt was in Córdoba in 1844.
The best-known trumpet voluntary is the Prince of Denmark's March, a composition by Jeremiah Clarke written circa. 1700. [1] It is properly a rondo for keyboard and was not originally called a trumpet voluntary. It is very popular as wedding music and was played at the 1981 wedding of Charles, Prince of Wales, and Lady Diana Spencer.
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Popular as wedding music, [6] [7] [8] the march was played during the wedding of Lady Diana Spencer and Prince Charles at St Paul's Cathedral in 1981 [6] and during the wedding of Prince Joachim of Denmark and Alexandra Manley in 1995.
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