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Louis, Dauphin of France (1 November 1661 – 14 April 1711), commonly known as le Grand Dauphin, was the eldest son and heir apparent of King Louis XIV and his spouse, Maria Theresa of Spain. He became known as the Grand Dauphin after the birth of his own son, Louis, Duke of Burgundy, the Petit Dauphin. He and his son died before his father ...
English: So-called Portrait of Louis, Grand Dauphin (1661-1711), but is probably a depiction of his son Charles of France, Duke of Berry (1686-1714) (compare with image below). Date turn of the 17/18 th century
File: Hyacinthe Rigaud - Louis de France, Dauphin (1661-1711), dit le Grand Dauphin - Google Art Project.jpg. Add languages ...
English: So-called Portrait of James FitzJames, 1st Duke of Berwick (1670-1734), but is probably a depiction of Louis, Grand Dauphin (1661-1711) Identification proposed by user Ecummenic based on the comparison with some portraits of the Dauphin of France (see images below) and the lack of physical resemblance of the sitter of this portrait to other representations of the Duke of Berwick; the ...
File:Anne-Baptiste Nivelon, Louis de France, dauphin (1764).jpg cropped 34 % horizontally, 44 % vertically using CropTool with precise mode. File usage The following page uses this file:
Louis, Grand Dauphin (1661–1711), was the eldest son and heir of King Louis XIV of France and Maria Theresa of Spain. As the heir apparent to the French throne, he was styled Dauphin. He became known as le Grand Dauphin after the birth of his own son, le Petit Dauphin. Louis XIV had a low opinion of his son, describing him as "indolent ...
Louis, Grand Dauphin +3 FP category for this image Wikipedia:Featured pictures/People/Royalty and nobility Creator Hyacinthe Rigaud. Support as nominator – — Chris Woodrich 23:39, 5 August 2015 (UTC) Support He's quite magnificent though not getting close to my fancy. Belle 23:51, 5 August 2015 (UTC)
Louis, Duke of Burgundy (1682–1712), grandson of King Louis XIV (1638–1715) and son of Louis the Grand Dauphin (1661–1711). Since Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Perpignan in 1642 (ADPO