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Convent of Sinners (Italian: La monaca nel peccato/ The Sinful Nun), is a 1986 Italian nunsploitation erotic film directed by Joe D'Amato (as Dario Donati). [2] D'Amato directed, photographed and edited the film. The Rene Rivet screenplay was based on the novel "La Religeuse" by Denis Diderot.
Contemporary norms held that nuns were supposed to either remain in the convent or at least return by nightfall if they ventured out into the world. Consequently, when the Sisters applied for acceptance of their new Congregation, Archbishop de Quélen of Paris was skeptical. After persistent efforts by Potel, the Archbishop eventually granted ...
The Other Hell (1981). The horror genre encompasses a wide array of categories, and few are as proudly perverse as the one called nunsploitation. Blending Christian iconography with fetishized ...
Mother Joan of the Angels (Polish: Matka Joanna od Aniołów, also known as The Devil and the Nun) is a 1961 Polish religious horror art film on demonic possession, directed by Jerzy Kawalerowicz, based on a novella of the same title by Jarosław Iwaszkiewicz, loosely based on the 17th century Loudun possessions. [1]
[13] Scott Weinberg of Thrillist ranked the film #32 of the 40 best horror films of 2021 and wrote, "The film starts out as a somewhat traditional "possessed nun" story, but about halfway through it makes a sharp left turn and becomes a compelling character study about how an innocent young woman must contend with a trauma she can't explain."
Grotesquerie’s Micaela Diamond on Playing a Deviant Nun, That ‘Full-Circle’ Musical Moment and the Best Advice She Got From Sarah Paulson. Andy Swift. October 30, 2024 at 12:10 PM.
Brides of Christ is an Australian television miniseries produced by the Australian Broadcasting Corporation in 1991. [1]The series takes place behind the walls of a Sydney convent school and deals with the struggles of both the Roman Catholic nuns and the young students to adapt to the many social changes taking place within the church and the outside world during the 1960s.
They each start simply and culminate in erotic release at the end. There are scenes of the full lesbian sexual gamut, which extends from episodes of individual nuns' self-stimulation to non-monogamous lesbian sex to a final nun-centered crucifix-bondage scene, with copious use of the whip and the rope.