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The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2] In the scripture, Martha is doing all the work to serve as hostess to Jesus, while her sister sat with him. [2] She reproved Mary for sitting while she did all the work. [2]
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
A similar verse appears in the Quran when Allah will ask Jesus on judgement day if he told people to take him and Mary as deities besides Allah in Chapter 5 verse 117: (Jesus will say) Never said I to them aught except what Thou didst command me to say to wit 'Worship God my Lord and your Lord'; and I was a witness over them whilst I dwelt ...
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
It is the largest painting by Vermeer and one of the very few with an overt religious subject. The story of Christ visiting the household of the two sisters Mary of Bethany and Martha goes back to the New Testament. [1] The work has also been called Christ in the House of Mary and Martha (reversing the last two names). [2]
It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops her impulse by telling her, "Do not cling to me, for I have not yet ascended to the Father". [4] [5]
His first encounter with Jesus after the birth is one of the most touching scenes in the film. ... This film shines a light on Mary's journey, blending sacred scripture to create a story that ...
The chapter may be divided into three distinct sections. Verses 1-18 describe events at Jesus' empty tomb when it is found empty and the appearance of the risen Jesus to Mary Magdalene (see Noli me tangere). The second section describes Jesus' appearances to his disciples, while the final two verses relate why the author wrote this gospel. [5]
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