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Blurryface is the fourth studio album by American musical duo Twenty One Pilots. It was released on May 17, 2015, through Fueled by Ramen . Lyrically, the album incorporates themes of mental health, doubt, and religion.
"Lane Boy" is a song written and recorded by American musical duo Twenty One Pilots, for their fourth studio album, Blurryface. "Lane Boy" was released on YouTube worldwide on May 4, 2015, [1] [2] being released as a single on Google Play Store on the same day. [3]
"Heavydirtysoul" is a song by American musical duo Twenty One Pilots from their fourth studio album Blurryface (2015). It was written by vocalist Tyler Joseph, who derived some of its lyrics from a poem called "Street Poetry" which he had written and published three years earlier.
On February 15, 2024, the cover art of Vessel, Blurryface, Trench, and Scaled and Icy were updated to be partially covered in red tape on streaming platforms. [181] Several people posted on social media that they had received mail from the band, and a new logo was revealed through billboards and posters in multiple locations worldwide over the ...
The duo's fifth studio album, Trench, was released on October 5, 2018, [4] followed by their sixth, Scaled and Icy, on May 21, 2021, [6] and their seventh, Clancy, released on May 24, 2024. They are the first and currently only artist in history to have each song from two separate studio albums (Vessel and Blurryface) certified at least gold by ...
"Stressed Out" is a song written and recorded by American musical duo Twenty One Pilots. Produced by Mike Elizondo and recorded at studios in Los Angeles and London, it was released as a promotional single from their fourth studio album, Blurryface (2015), on April 28, 2015, through Fueled by Ramen.
The album's lead single was originally intended to be "Gentleman Joe's Sidewalk Café", with the original song by singer/lead guitarist Francis Rossi, "Pictures of Matchstick Men", as the B-side, but these songs were eventually swapped. It reached No. 7 in the UK, and remains the band's only major hit single in the US, where it reached No. 12.
The album was recorded in the basement studio. Due to the low budget for making the album, instead of recording real instrumentals, most of the drum beats were programmed with computer software. [4] [5] The album cover art was designed by John Rettstatt, a friend of Joseph. [6]