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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period. The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique.
A lekythos (Ancient Greek: λήκυθος; pl.: lekythoi) is a type of ancient Greek vessel used for storing oil, especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types ...
The Thanatos Painter (5th century BCE) was an Athenian Ancient Greek vase painter who painted scenes of death on white-ground cylindrical lekythoi. [1] All of the Thanatos Painter's found lekythoi have scenes of or related to death (thanatos in Greek) on them, including the eponymous god of death Thanatos carrying away dead bodies. [2]
White ground, Attic, c. 460, Apollo pours a libation, detail. [1] The few pottery exhibits of the Delphi Archaeological Museum include a famous shallow bowl with an unusual depiction of the god Apollo. In the white-ground red-figure technique, it was found in a grave underneath the museum. It is the work of an Attic workshop, around 480–470 BC.
In 1908 his book on the vase painter Douris, Douris et les peintres des vases grecs, was translated into English and published as "Douris and the painters of Greek vases". [1] Other noteworthy works by Pottier include: Étude sur les lécythes blancs attiques à représentations funéraires, 1883 – Study on the white lekythoi of Attica.
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