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1950: 1992: Columbia Pictures (American Film Technologies) [298] Goopy Geer: 1932: 1992: Turner Entertainment [299] The Ghost and Mrs. Muir: 1947: 1990: Color Systems Technology [300] The Gospel According to St. Matthew: 1964: 2007: Legend Films [301] The Great Rupert: 1950: 2003: Legend Films (retitled A Christmas Wish) [302] The Great Sinner ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
Signal Films, JWT 1950 Stop-motion animation Commercial Eng Summer Stock: Metro-Goldwyn-Mayer 1950 Musical, Romance Feature Robert H. Planck US The Sundowners aka Thunder in the Dust (UK) Le May-Templeton Pictures, Eagle-Lion Films 1950 Action, Adventure, History, Romance, Western Feature Winton C. Hoch US Tea for Two: Warner Bros. 1950
Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film.
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.
Color Cry: Len Lye: United States: Color, Drawn-on-film animation, music by Sonny Terry [12] Come Closer: Hy Hirsh: United States: Color, abstract animation in 3-D [5] Eaux d'Artifice: Kenneth Anger: Carmilla Salvatorelli: Italy: Color, added to the National Film Registry in 1993 [13] The End: Christopher Maclaine: United States: Early Beat ...
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...