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Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
1950s; 1960s; 1970s; 1980s; 1990s; 2000s; Pages in category "1950s feminist films" The following 15 pages are in this category, out of 15 total.
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.
Color Cry: Len Lye: United States: Color, Drawn-on-film animation, music by Sonny Terry [12] Come Closer: Hy Hirsh: United States: Color, abstract animation in 3-D [5] Eaux d'Artifice: Kenneth Anger: Carmilla Salvatorelli: Italy: Color, added to the National Film Registry in 1993 [13] The End: Christopher Maclaine: United States: Early Beat ...
Signal Films, JWT 1950 Stop-motion animation Commercial Eng Summer Stock: Metro-Goldwyn-Mayer 1950 Musical, Romance Feature Robert H. Planck US The Sundowners aka Thunder in the Dust (UK) Le May-Templeton Pictures, Eagle-Lion Films 1950 Action, Adventure, History, Romance, Western Feature Winton C. Hoch US Tea for Two: Warner Bros. 1950
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
Ajantrik; Al-Tareeq al-Masdood; Alto Paraná; Les Amants; Les Amants de Montparnasse; Amor prohibido; Another Time, Another Place; Ashes and Diamonds; Auntie Mame
The role of women's films was discussed at the Women's Liberation Conference in Melbourne in 1970, [108] and groups such as the Feminist Film Workers collective (1970s and 1980s), Sydney Women"s Film Group (SWFG, 1972–), Melbourne Women's Film Group (1973–), Reel Women (1979 to 1983 in Melbourne), and Women's Film Unit (Sydney and Melbourne ...