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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
VI mono power amplifier of 1976, which produced 120 watts (continuous). In later years, the company began to produce a line of solid-state audio components, commencing in 1966 with the introduction of the Stereo 120 power amplifier (60 wpc). Because of early problems involving circuit, power supply, and transistor failures, the ST 120 was not ...
The Memphis also marked the return of combo amplifiers to the Fryette line. The Class A, 2 channel Memphis Thirty 1x12 was the first amp in the new Memphis Series and features EL84 power tubes, 30 Watt & 18 Watt power modes & a unique removable hatch on the front panel allowing users to easily access and change pre-amp tubes.
Blackstar's line of digital programmable amplifiers are available in 60 and 100 watt head format and 15, 30, 60 and 120 watt combo format. Along with the ISF and Emulated output, they also possess powerful digital preamps with 128 unique storage banks to store your settings. Blackstar amplifiers in a store in London, UK
[8] Roland's KC-350 delivers 120 watts through a 12" speaker and horn tweeter. It has "4-channel operation, 3-band EQ, XLR mic input, output select switch, and shape switch for quick tonal adjustment." [9] This amp could be used for rehearsals and mid-sized shows. Their KC-550 delivers 180 watts through a 15" speaker and horn tweeter.
They were rated at 60 watts RMS and 120 watts maximum and were in a 36-pound acoustic suspension enclosure. These were initially meant to be used with the 100 watt MSA-100 amplifier; then later in 1985 the 200 watt MSA-200 amplifier was released which was compatible with the MGE-160 graphic equalizer. [9]
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