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[2] [8] On the neck are two elephant heads forming two handles. Originally, the vases had porcelain rings suspended from the handles. [4] There are a few small differences in decorations between the two vases, for example, the mouth of the dragon is closed in one but open in the other. [2]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
Between 425 and 350 BC Kabeiric vases were the main black-figure style in Boeotia. In most cases this was a hybrid form between a kantharos and a skyphos with a deep bowl and vertical ring handles, but there were also lebes, cups and pyxides. They are named after the primary place where they were found, the Sanctuary of the Kabeiroi near Thebes.
The hydriai have a height of 40 to 45 cm. Attached to the body are off-set widely swaying necks; the body itself features broad shoulders. Low ring-bases shaped like upturned chalices are attached at the bottom. The technical quality of the vases is rather low. Many are warped or show signs of bad firing.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
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At Athens researchers have found the earliest known examples of vase painters signing their work, the first being a dinos by Sophilos (illus. below, BM, c. 580), this perhaps indicative of their increasing ambition as artists in producing the monumental work demanded as grave markers, as for example with Kleitias's François Vase.
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