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Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
Pages in category "Plays by Euripides" The following 35 pages are in this category, out of 35 total. This list may not reflect recent changes. A. Alcestis (play)
The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
In the 4th century BC, South-Italian vase painting offers a number of Medea representations that are connected to Euripides' play — the most famous is a krater in Munich. However, these representations always differ considerably from the plots of the play or are too general to support any direct link to Euripides' play.
Theban plays, or Oedipus cycle: Antigone (c. 442 BC) Oedipus Rex (c. 429 BC) Oedipus at Colonus (401 BC, posthumous) Ajax (unknown, presumed earlier in career) The Trachiniae (unknown) Electra (unknown, presumed later in career) Philoctetes (409 BC) Euripides (c. 480–406 BC): Alcestis (438 BC) Medea (431 BC) The Heracleidae (Herakles Children ...
Pages in category "Plays based on works by Euripides" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. A.
Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; English "god from the machine") [2] [3] is a plot device whereby a seemingly unsolvable problem in a ...
The production supplemented Euripides' play with material drawn from a range of sources, united by their exploration of the themes of death and rebirth. [13] It began with Heiner Müller's Explosion of a Memory (Description of a Picture) (1985) as a prologue ; the piece is a dream narrative partly composed using automatic writing .