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Dyskolos (Greek: Δύσκολος, pronounced, translated as The Grouch, The Misanthrope, The Curmudgeon, The Bad-tempered Man or Old Cantankerous) is an Ancient Greek comedy by Menander, the only one of his plays, and of the whole New Comedy, that has survived in nearly complete form. [1]
In the argument that follows, the bad-tempered Pudding pinches the Mayor, who orders his arrest. The Pudding is taken to court where the only officials present are the judge and the usher who are playing cards, but they prefer to eat the defendant rather than hear the case. To settle matters, Bunyip suggests that they hear the case themselves.
(v.) to bathe, or give a bath to, example have a bath (US: take a bath meaning bathe) (n.) plumbing fixture for bathing *(US: bathtub) (n.) the act of bathing (n.) a bathroom (esp. a half bath which has a sink and toilet but no shower stall or bathtub, or a 3/4 bath which has a sink, toilet, and shower stall, but no bathtub) bathroom
qualities considered dark traits, usually belonging to villains, (amorality, greed, violent tendencies, etc.) [3] that may be tempered with more human, identifiable traits that blur the moral lines between the protagonist and antagonist.
When an answer is composed of multiple or hyphenated words, some crosswords (especially in Britain) indicate the structure of the answer. For example, "(3,5)" after a clue indicates that the answer is composed of a three-letter word followed by a five-letter word. Most American-style crosswords do not provide this information.
Image credits: doctype_ht_ml #22. It’s better to be completely alone and find good friends/romantic partner than keeping the toxic ones just because you love them so much.
For example, let’s say that right now, you have 10% in cash, 40% in stocks, and 50% in bonds. You might want to adjust these percentages based on your needs, updated expenses, budget planning ...
A common central theme of such literature and folktales is the often forceful "taming" of shrewish wives by their husbands. [2] Arising in folklore, in which community story-telling can have functions of moral censorship or suasion, it has served to affirm traditional values and moral authority regarding polarised gender roles, and to address social unease about female behavior in marriage.