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Solid bodied guitars with only a piezo pickup are known as silent guitars, which are usually used for practicing by acoustic guitarists. Piezo pickups can also be built into electric guitar bridges for conversion of existing instruments. Most pickups for bowed string instruments, such as cello, violin, and double bass, are piezoelectric.
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
An acoustic guitar can be amplified by using various types of pickups or microphones. However, amplification of acoustic guitars had many problems with audio feedback. In the 1960s, Ovation's parabolic bowls dramatically reduced feedback, allowing greater amplification of acoustic guitars. [14]
The Epiphone Texan is an acoustic flattop guitar of the (advanced) Jumbo type. Recent models have an integrated light-weight internal electric pickup fitted; the original model was acoustic only. Recent models have an integrated light-weight internal electric pickup fitted; the original model was acoustic only.
The "1" in the model name signifies pickups, as the 380 was originally intended as an acoustic guitar with electric guitar styling (although the 380 was supplanted by the 381's popularity.) It was most famously used by John Kay of Steppenwolf. Rickenbacker guitars sold in Europe had traditional f-shaped sound holes until the 1980s.
In 1980 Larry Fishman made a prototype acoustic pickup in his basement, and by 1981 he had taken orders for pickups from the Guild Guitar Company.In 1982 the C.F. Martin Guitar Company ordered Fishman pickups; to accommodate it, Fishman and his company rented a larger manufacturing space, and began designing and making pickups for banjos, mandolins, violins, cellos and basses as well.
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