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Custom font for the 1995 rebranding, designed by the Foundry (Freda Sack and David Quay) Metron: Prague Metro: Created in 1973 by Jiří Rathouský: Moscow Sans: Public transport and wayfinding in Moscow since 2015: Custom font family by Scott Williams and Henrik Kubel (A2-TYPE) in collaboration with Ilya Ruderman (CSTM Fonts) Motorway
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications. [1]It was defined by the German standards body DIN (Deutsches Institut für Normung, 'German Institute for Standardisation', pronounced like the English word din) in the standard sheet DIN 1451-Schriften ('typefaces') in 1931. [2]
The first font only included uppercase letters, with the exception of Series E(M), which was used on large expressway and freeway guide signs. There was an expectation that over the next few decades, the new Clearview typeface, also specifically developed for use on traffic signs, would replace the FHWA series on some new signage. [ 5 ]
[180] [181] Another little-known follower was the NEN 3225 standard lettering, a project by the Dutch Standards Institute to create a set of standardised lettering for public use in the Netherlands, comprising a sans-serif similar to Gill Sans and a companion serif font drawn by Jan van Krimpen. The project was begun in 1944 but not published ...
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
It is the main font used on iCollege, Georgia State University's primary learning management system, and the official typeface of the Polish Government and the Polish bank Bank Pekao. Lato has also been used for Chidusz, a Polish Jewish magazine and logotype of British international non-governmental organization (NGO) Save the Children since 2022.
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Along with Matthew Carter's 1978 Bell Centennial reworking, Tobias Frere-Jones designed the Griffith Gothic typeface family for the Font Bureau in 1997. Condensed and italic variants were added, thus expanding the family in 2000. Isabella Chæva produced a cyrillic version of Bell Gothic for ParaType, based in Moscow, Russia, in 1999. She added ...
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