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The incense offering (Hebrew: קְטֹרֶת qəṭōreṯ) in Judaism was related to perfumed offerings on the altar of incense in the time of the Tabernacle and the First and Second Temple period, and was an important component of priestly liturgy in the Temple in Jerusalem.
Incense was burned daily on this altar at the time of the morning and the evening sacrifices. The coals used on this altar had to be taken from the Altar of Burnt Offerings. The incense used had to be made according to a specific formula (Exodus 30:34–35), and no other incense was permitted (Exodus 30:9).
Two servers swing thuribles towards the congregation during a funeral. The Roman Missal, as revised in 1969, allows the use of incense at any Mass: in the entrance procession; at the beginning of Mass to incense the cross and the altar; at the Gospel procession and proclamation; after the bread and the chalice have been placed upon the altar, to incense the offerings, the cross, and the altar ...
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Again, towards the evening, after clearing the altar from its coals and embers, some were put upon the altar of incense within the antechamber of that sacred house. [5] The priests took turns with the incense offering, and this was determined by casting lots between priests who had never yet offered the incense. [6]
In the carved image, the altar supports an incense burner as well. This imagery is associated with underworld deities and rites of fire starting. Altar 4 also communicates the sense of the altar as the site of an assemblage of offerings and ritual items: the incense burner contains kindling sticks, as well as an arrangement of feathers all ...
Ta'anach altar A, in the Israel Museum, is tapered like the letter A, while stand B in Turkey is boxier. Cultic incense stand found at Ta'anach (a site on the rim of the Jezreel Valley close to Megiddo) dated to the time of Israelite occupation in the tenth century BCE. [1] Asherah is shown in humanlike and tree form.
On the west side, just before the veil, was the golden altar of incense. [2] It was constructed of 4 woven layers of curtains and 48 15-foot tall standing wood boards overlaid in gold and held in place by its bars and silver sockets and was richly furnished with valuable materials taken from Egypt at God's command.