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At the Ure Museum, there is an Egyptian funerary boat on display that represents a typical tomb offering. This boat symbolizes the transport of the dead from life to the afterlife. In Ancient Egypt death was seen as a journey by boat. More specifically, it was seen as a trip across their River Nile that joined the North and South.
Combining Egyptian and Greek pictorial forms or motifs was not restricted to funerary art, however: the public and highly visible portraits of Ptolemaic dynasts and Roman emperors grafted iconography developed for a ruler's Greek or Roman images onto Egyptian statues in the dress and posture of Egyptian kings and queens.
On the rear of the main barge, several symbols associated with Egyptian funerary rites were painted, among them the Eye of Horus. On the decorative shrine below the sarcophagus, the goddess Isis and her sister Nephthys are depicted as birds of prey in human form. Above the sarcophagus, another scene with four male figures and Isis and Nephthys ...
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials , which may or may not contain remains, and a range ...
Funerary masks were used throughout the Egyptian periods. Examples range from the gold masks of Tutankhamun and Psusennes I to the Roman "mummy portraits" from Hawara and the Fayum. Whether in a funerary or religious context, the purpose of a mask was the same: to transform the wearer from a mortal to a divine state. [3]
The ushabti (also called shabti or shawabti, with a number of variant spellings) was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from ๐ ฑ๐๐๐๐ญ๐พ wšbtj, which replaced earlier ๐ท๐ฏ๐๐๐ญ๐พ šwbtj, perhaps the nisba of ๐๐ฏ๐๐ญ šw๊ฃb "Persea tree".
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