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With the technology of halogen lamps improving, the 80s and early 90s saw a new breed of DJ light starting to evolve. This was a projection-style DJ light that used a halogen lamp and a mirror to reflect the light. A halogen lamp shines onto a mirror via a filter gel sheet to create the color and sometimes via a gobo wheel to create shapes. In ...
The sound, light, pyrotechnic and stage setup at Qlimax is substantial. Around 350 L'Acoustics speaker boxes are deployed in the arena, with a majority being suspended from the ceiling. The conventional part of the lighting setup is controlled from 3 light desks, and the laser show is done by a certified laser show operator.
Squire later set up a disco equipment supply service called Squire Light & Sound that sold disco sound and lighting systems to budding DJs, both in the United Kingdom and abroad. [3] The Squire's Company became the biggest name in UK DJ entertainment in the 60s, 70s and 80s before Roger retired from the business 1988.
Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture". [4] [5] Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect. Lighting design is an art form, and thus no one way is the "correct" way.
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The company subsequently incorporated as Vari-Lite Inc. [8] and struck distribution deals to introduce the product into international markets. [citation needed]The Series 200 system launched in 1987, featuring the Artisan Control Console and two new luminaires: the VL2—a direct descendant of the VL1—and the VL3, based on the VL-Zero.
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