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The Madness of Love (1855), in which Juana la Loca, the passionate, love-sick daughter of Isabel the Catholic, figures as the chief personage, established Tamayo's reputation as Spain's leading playwright. Hija y Madre (1855) was a failure, and La Bola de Nieve (1856) is notable solely for its excellent workmanship. [1] Manuel Tamayo y Baus (1884)
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The brightly colored 51" by 38" (130 cm x 97 cm) painting is considered to be significant as an example of Tamayo's mature style. It is an abstract depiction of a man, a woman and an androgynous figure in a rich palette of purple, orange and yellow, with Tamayo's signature rough surface texture, made of sand and ground marble dust mixed into ...
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Still Life (1954) belongs to Tamayo’s most prolific period. It exemplifies the handling of color that is characteristic of his work. The rich tradition of still life painting in Mexico was not only continued, but also developed into a more modern form, culminating in the characteristic watermelon paintings produced by Rufino Tamayo in the course of his entire career.
It bears comparison with other Tamayo works such as Man Contemplating the Firmament and The Astronomer. [2] During an inaugural visit to the mural, Tamayo told the poet Carlos Pellicer that the original title was to be “Day and Night over the Pyramids of the Sun and the Moon,” to which Pellicer replied that it seemed the poet was Tamayo. [3]
Museo Rufino Tamayo is a public contemporary art museum located in Mexico City's Chapultepec Park, that produces contemporary art exhibitions, using its collection of modern and contemporary art, as well as artworks from the collection of its founder, the artist Rufino Tamayo.