Search results
Results from the WOW.Com Content Network
José Armando Tamayo Herrera (born in Cuzco on December 5, 1936) is a Peruvian historian, writer and university professor. [1] [2] In the field of historical research, he has developed regional history, ideas and art, applying innovative methods and analysis. He has twice been director of the National Library of Peru.
The Madness of Love (1855), in which Juana la Loca, the passionate, love-sick daughter of Isabel the Catholic, figures as the chief personage, established Tamayo's reputation as Spain's leading playwright. Hija y Madre (1855) was a failure, and La Bola de Nieve (1856) is notable solely for its excellent workmanship. [1] Manuel Tamayo y Baus (1884)
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Manuel Lora-Tamayo Martín (21 January 1904 – 22 August 2002) was a Spanish politician who served as Minister of National Education of Spain (later renamed as Education and Science) between 1962 and 1968, during the Francoist dictatorship.
The brightly colored 51" by 38" (130 cm x 97 cm) painting is considered to be significant as an example of Tamayo's mature style. It is an abstract depiction of a man, a woman and an androgynous figure in a rich palette of purple, orange and yellow, with Tamayo's signature rough surface texture, made of sand and ground marble dust mixed into ...
The Windows version allows annotating and saving unfinished PDF forms, FDF import/export, converting to text, highlighting, and drawing. Until version 9.7.2 Foxit Reader had PDF creation features, including a "Foxit PDF Printer" for Windows, allowing all programs to "print" output to PDF; they were removed in May 2020 from later versions. [5]
José Tamayo (16 August 1920 – 26 March 2003) was a Spanish theatre director and producer, best known for his dramatic and zarzuela plays, epitomized by Antología de la Zarzuela (Zarzuela anthology). [1] Born in Granada, Spain in 1920, 24-year old Tamayo began his theatrical journey in 1944 as part of a university theater group in Granada.
Still Life (1954) belongs to Tamayo’s most prolific period. It exemplifies the handling of color that is characteristic of his work. The rich tradition of still life painting in Mexico was not only continued, but also developed into a more modern form, culminating in the characteristic watermelon paintings produced by Rufino Tamayo in the course of his entire career.