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Princess Milica Petrović-Njegoš of Montenegro, also known as Grand Duchess Militza Nikolaevna of Russia, (14 July 1866 – 5 September 1951) was a Montenegrin princess. She was the second eldest daughter of King Nicholas I Petrović-Njegoš of Montenegro and his wife, Queen Milena .
Wedding photo of Princess Anastasia and her first husband, George Maximilianovich, 6th Duke of Leuchtenberg, Peterhof Palace (1889) Princess Anastasia Petrović-Njegoš of Montenegro (4 January [O.S. 23 December 1867] 1868 – 25 November 1935) was the daughter of King Nikola I Petrović-Njegoš of Montenegro (1841–1921) and his wife, Queen Milena (1847–1923).
Born as Princess of Russia; adopted the style of Grand Duchess after her father's headship of the House of Romanov. Kira Kirillovna: Kirill Vladimirovich: 9 May 1909: 8 September 1967: Louis Ferdinand, Prince of Prussia (m. 1938) Born as Princess of Russia; adopted the style of Grand Duchess after her father's headship of the House of Romanov.
New forensic comparisons in 1994 with Grand Duchess Anastasia and Anna Anderson's face and ears following routine procedures of legal identification concluded that Anna Anderson was the Grand Duchess. The tests were commissioned for a British television documentary.[59]
"Grand Duchess" is the most widely used English translation of the title. [10] However, in keeping with her parents' desire to raise Maria and her siblings simply, even servants addressed the Grand Duchess by her first name and patronym, Maria Nikolaevna. She was also called by the French version of her name, "Marie", or by the Russian ...
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Grand Duchess Anastasia Nikolaevna of Russia: 12. Prince Charles of Hesse and by Rhine [84] 6. Louis IV, Grand Duke of Hesse and by Rhine [81] 13. Princess Elisabeth of Prussia [84] 3. Princess Alix of Hesse and by Rhine: 14. Prince Albert of Saxe-Coburg and Gotha [85] 7. Princess Alice of the United Kingdom [81] 15. Victoria of the United ...
Grand Duchess Anastasia Nikolaevna of Russia, on whom Anna's character is based. The film was adapted by Guy Bolton and Arthur Laurents from the play by Bolton and Marcelle Maurette. Some critics believed the film was bound too much to the static settings and theatrical "scenes" of the play, but additional, essentially decorative, ball scenes ...