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The "branded slave" photograph of Chinn with "VBM" (the initials of his owner, Volsey B. Marmillion) branded on his forehead, wearing a punishment collar, and posing with other equipment used to punish slaves became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most ...
The Indian Wars of the early 18th century, combined with the increasing importation of African slaves, effectively ended the Native American slave trade by 1750. Colonists found that Native American slaves could easily escape, as they knew the country. The wars cost the lives of numerous colonial slave traders and disrupted their early societies.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity ...
Slave bracelets are a piece of jewelry associated with several cultures. The term refers to the hand adornment often worn by belly dancers or associated with harem jewelry. The slave bracelet or hand chain consists of a bracelet that attaches to a ring via a chain, bejeweled links, or other ornate hand connector along the back of the hand.
Left to right: "Massai", "Apache Kid", and "Rowdy" pictured in a March 1886 photograph taken by C. S. Fly at Geronimo's camp. Massai (also known as: Masai, Massey, Massi, Mah–sii, Massa, Wasse, Wassil, Wild, Sand Coyote or by the nickname "Big Foot" Massai) was a member of the Mimbres/Mimbreños local group of the Chihenne band of the Chiricahua Apache.
The beads were integrated in Native American jewelry using various beadwork techniques. Trade beads were also used by early Europeans to purchase African resources, [2] including slaves in the African slave trade. Aggry beads are a particular type of decorated glass bead from Ghana. The practice continued until the early twentieth century.
In the following decades the anthem was adopted by choirs in the United Kingdom, but in the 1950s it became a symbol of the American civil rights movement as black people in the US fought for ...
Starting in 1976, Lowry's legend has been presented each summer in an outdoor drama called Strike at the Wind! in Red Banks, North Carolina. [11] Set during the Civil War and Reconstruction years, the play portrays Lowry as a Native American culture hero who flouts the white power structure by fighting for his people and defending the county's ...
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