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From a global perspective, Japanese culture scores higher on emancipative values (individual freedom and equality between individuals) and individualism than most other cultures, including those from the Middle East and Northern Africa, sub-Saharan Africa, India and other South Asian countries, Central Asia, South-East Asia, Central Asia, Eastern Europe, Central America and South America.
The Nihon Shoki (日本書紀), sometimes translated as The Chronicles of Japan, is the second-oldest book of classical Japanese history. The book is also called the Nihongi (日本紀, "Japanese Chronicles"). It is more elaborate and detailed than the Kojiki, the oldest, and has proven to be an important tool for historians and archaeologists ...
The emphasis of the document is not so much on the basic laws by which the state was to be governed, such as one may expect from a modern constitution, but rather it was a highly Buddhist and Confucian document that focused on the morals and virtues that were to be expected of government officials and the emperor's subjects to ensure a smooth ...
The Three Great Nobles of the Restoration (維新の三傑, Ishin no Sanketsu, lit. ' Three outstanding heroes in the restoration ' ) is a term used in Japan for three figures that played an important role in the Meiji Restoration in 1868 and are regarded as the founders of the modern state of Japan.
Despite the help Japan received from other powers, one of the key factors in Japan's industrializing success was its relative lack of resources, which made it unattractive to Western imperialism. [23] The farmer and the samurai classification were the base and soon the problem of why there was a limit of growth within the nation's industrial work.
Japanese nationalism [a] is a form of nationalism that asserts the belief that the Japanese are a monolithic nation with a single immutable culture. Over the last two centuries, it has encompassed a broad range of ideas and sentiments.
One of the key points in this theory is that the book was written in a difficult combination of Chinese and Japanese (wakan konkō shō), which in those days was mastered only by educated monks and nobles, such as Yukinaga. However, in the end, as the tale is the result of a long oral tradition, there is no single true author; Yukinaga is only ...
The Empire of Japan endeavored, through education initiatives and specific financial support for new shrines, to frame Shinto practice as a patriotic moral tradition. [4]: 120 From the early Meiji era, the divine origin of the Emperor was the official position of the state, and taught in classrooms not as myth, but as historical fact.