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The commission consisted of a short arrangement of the four parts composing the No. 25, Pas de deux de l'Oiseau bleu et la Princesse Florine, in Act III of Tchaikovsky's The Sleeping Beauty. Though, initially, Tchaikovsky intended this to be a pas de quatre, Marius Petipa changed it in the original production, hence Stravinsky's title.
A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
The characteristics of music that have improved sleep quality in the music-sleep literature include slow tempo, small change of rhythm, and moderate pitch variation of melody. [16] The selection of music (self selected or researcher selected) does not appear to impact sleep quality.
The Sleeping Beauty (Russian: Спящая красавица, romanized: Spyashchaya krasavitsa listen ⓘ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre.
Brahms based the music of his "Wiegenlied" partially on "S'Is Anderscht", a duet by Alexander Baumann [] published in the 1840s. [2] [3] [4] The cradle song was dedicated to Brahms's friend, Bertha Faber, on the occasion of the birth of her second son.
Edward Elzear "Zez" Confrey (3 April 1895 – 22 November 1971) [1] was an American composer and performer of novelty piano and jazz music. His most noted works were "Kitten on the Keys" and "Dizzy Fingers." Studying at the Chicago Musical College and becoming enthralled by French impressionists played a critical role in how he composed and ...
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Original cast in the Imperial Ballet's original production of Tchaikovsky's ballet The Nutcracker, December 1892 "Tchaikovsky was made for ballet," writes musicologist David Brown [4] Before him, musicologist Francis Maes writes, ballet music was written by specialists, such as Ludwig Minkus and Cesare Pugni, "who wrote nothing else and knew all the tricks of the trade."