Search results
Results from the WOW.Com Content Network
Kerning contrasted with tracking (letter-spacing): with spacing the "kerning perception" is lost. While tracking adjusts the space between characters evenly, regardless of the characters, kerning adjusts the space based on character pairs. There is strong kerning between the "V" and the "A", and no kerning between the "S" and the "T".
Letter spacing, character spacing or tracking is an optically consistent typographical adjustment to the space between letters to change the visual density of a line or block of text. Letter spacing is distinct from kerning , which adjusts the spacing of particular pairs of adjacent characters such as "7."
In metal type, the point size (and hence the em, from em quadrat) was equal to the line height of the metal body from which the letter rises. In metal type, the physical size of a letter could not normally exceed the em. A digital font's design space in digital type is called the em, which is a grid with arbitrary resolution.
Glyphs that are small (such as a period) or round (such as the letter "o") at the end of a line can be extended beyond the end of the line to create a more even line at the edge of the text. This is called protrusion, margin kerning, or hanging punctuation. Multiple different versions of the same glyph with different widths may be used.
Inkscape can write and edit text with tools available for changing font, spacing, kerning, rotation, flowing along the path or into a shape. Text can be converted to paths for further editing. The program also has layers (and objects) feature that allows organizing objects in a preferred stacking order in the canvas.
justified—text is aligned along the left margin, with letter-spacing and word-spacing adjusted so that the text falls flush with both margins, also known as fully justified or full justification; centered—text is aligned to neither the left nor right margin; there is an even gap on each side of each line.
The point was first established by the Milanese typographer, Francesco Torniella da Novara (c. 1490 – 1589) in his 1517 alphabet, L'Alfabeto.The construction of the alphabet is the first based on logical measurement called "Punto," which corresponds to the ninth part of the height of the letters or the thickness of the principal stroke.
They also offer more comprehensive libraries of "kerning pairs" that tell the application how much space to allow between all possible combinations of letter pairs. Typographers try to minimize or eliminate the river effect. In Finer Points in the Spacing & Arrangement of Type, Canadian typographer Geoffrey Dowding explains as follows.