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Facsimile of Poe's original manuscript for "The Murders in the Rue Morgue", the first appearance of C. Auguste Dupin. Dupin is from what was once a wealthy family, but "by a variety of untoward events" has been reduced to more humble circumstances, and contents himself only with the basic necessities of life. [2]
"The Purloined Letter" is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Rogêt".
He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference".
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
ɪ z əm /; from Latin ille: “he; that man”) is the act of referring to oneself in the third person instead of first person. It is sometimes used in literature as a stylistic device. In real-life usage, illeism can reflect a number of different stylistic intentions or involuntary circumstances.
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The superfluous man (Russian: лишний человек, líshniy chelovék, "extra person") is an 1840s and 1850s Russian literary concept derived from the Byronic hero. [1] It refers to a man, perhaps talented and capable, who does not fit into social norms. In most cases, this person is born into wealth and privilege.
Linguist Robert Hetzron offers the definition: A joke is a short humorous piece of oral literature in which the funniness culminates in the final sentence, called the punchline… In fact, the main condition is that the tension should reach its highest level at the very end. No continuation relieving the tension should be added.