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The vases have been described as the "best-known porcelain vases in the world" [1] and among the most important blue-and-white Chinese porcelains. [2] Though they are fine examples of their type, their special significance comes from the date in the inscriptions on the vases. [1]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The hydriai have a height of 40 to 45 cm. Attached to the body are off-set widely swaying necks; the body itself features broad shoulders. Low ring-bases shaped like upturned chalices are attached at the bottom. The technical quality of the vases is rather low. Many are warped or show signs of bad firing.
As a result, Vernon Kilns took the opportunity to create a new set of dinnerware molds: The result was the pottery company's first original dinnerware shape, Montecito. [1] In 1935, Vernon introduced their first solid color dinnerware line, Early California , to complete with the other solid color dinnerware offerings popularized by potteries ...
Between 425 and 350 BC Kabeiric vases were the main black-figure style in Boeotia. In most cases this was a hybrid form between a kantharos and a skyphos with a deep bowl and vertical ring handles, but there were also lebes, cups and pyxides. They are named after the primary place where they were found, the Sanctuary of the Kabeiroi near Thebes.
A different example of the eye-cup shape. Chalkidian black-figure eye-cup, circa 530 BC The bilingual eye-cup by the Andokides painter in the Museo Archeologico Regionale, Palermo (not illustrated), is a prime example of the transition from black-figure vase painting to the red-figure style in the late 6th century to early 5th century BC that commonly resulted in "bilingual" vases, using both ...
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