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"Ekusher Gan" (Bengali: একুশের গান [ˈekuʃeɾ gan]; "Song of the Twentyfirst"), more popularly known by its incipit as "Amar Bhaiyer Rokte Rangano" (Bengali: আমার ভাইয়ের রক্তে রাঙানো [ˈamaɾ ˈbʱai̯jeɾ ˈrɔkte ˈraŋano]; "My Brothers' Blood Spattered"), is a Bengali protest song written by Abdul Gaffar Choudhury to mark the ...
Ami Banglay Gaan Gai (Bengali: আমি বাংলায় গান গাই) is a patriotic song by Bengali poet and composer and singer Pratul Mukhopadhyay.The song was elected as sixth greatest Bengali song of all time by BBC Bangla. [1]
Notuner Gan" (Bengali: নতুনের গান [ˈnotuneɾ gan]; "The Youth Song"), more popularly known by its incipit as "Chol Chol Chol", [a] is the national march (Bengali: রণ-সঙ্গীত) of Bangladesh, [1] [2] whose lyrics and tune were written by national poet Kazi Nazrul Islam in 1928.
Pratul Mukhopadhyay (born 1942) is an Indian Bengali-language singer, [1] creative artist and songwriter. [2] He is the writer and the singer of the famous Bengali song Ami Banglay Gan Gai and Dinga Bhashao Sagore. [3] He was a playback singer in the Bengali film Gosaibaganer Bhoot. [4]
"Amar Shonar Bangla" - National anthem of Bangladesh, written by Rabindranath Tagore "Amar Vaier Rokte Rangano" - written by Abdul Gaffar Chowdhury and composed by Altaf Mahmud during 1952 Bengali language movement. "Amay Jodi Prosno Kore" - sung by Sabina Yasmin "Ami Banglai Gaan Gaai"- composed by Pratul Mukhopadday "Ami Bhalobashi Ei Banglake"
Dhamal (Bengali: ধামাল), better known as dhamail (Bengali: ধামাইল), is a form of Bengali folk music and dance prevalent in the Mymensingh and Sylhet regions of northeastern Bengal, in present-day Bangladesh and eastern India.
Jarigan (Bengali: জারি গান), (Persian Jari/zari for lamentation and Bengali gan for song) [1] or (song of sorrow) is one of the few indigenous music art performances of Bangladesh, West Bengal, Barak Valley and Brahmaputra Valley.
Muktir Gaan (Bengali: মুক্তির গান The Song of Freedom) is a 1995 Bangladeshi documentary film by Tareque Masud and his wife Catherine Masud. [1] It explores the impact of cultural identity on the Bangladesh Liberation War in 1971, where music and songs provided a source of inspiration to the freedom fighters and a spiritual bond for the emerging nation.
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