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The United Methodist Church published it in its 2000 hymnal supplement, The Faith We Sing (hymn no. 2212), giving credit for the lyrics as well as the tune to Robert Lowry. [12] The Faith We Sing version changes some of the lyrics and punctuation from the 1868 version. The Unitarian Universalist hymnal, printed in 1993 and following, credits ...
Musically, "Cry for You" is a dance-pop and euro-pop track, with it lyrically being about getting out of a relationship. Commercially, "Cry for You" was considered September's biggest hit to date, along with her single " Satellites ", peaking in the top ten in twelve countries, including Sweden, Ireland, and the United Kingdom, while also ...
"We try to stop ourselves from doing what we don't like," he noted. "Especially around New Year’s, people might say, ‘I'm going to stop eating bad foods or I'm going to stop being lazy,’" he ...
"Got You on My Mind" is a song written by Howard Biggs and Joe Thomas. The lyrics commence: "Got you on my mind feeling kinda sad and low / Wonderin' where you are / wonderin' why you had to go / Tears began to fall ev'rytime I hear your name."
I never mind the rain from the sky If I can find the sun in your eyes Sometimes I love you, sometimes I hate you But when I hate you, it's 'cause I love you That's how I am So what can I do? I'm happy when I'm with you Sometimes I'm happy, sometimes I'm blue My disposition depends on you I never mind the rain from the sky If I can find the sun ...
“I always say, it’s so sad that Kurt Cobain died when he did, because he never saw GPS,” said Mirren. “GPS is the most wonderful thing, to watch my little blue spot walking down the street.
The lyrics of "Don't Let's Start" include a number of dark, pointed statements, such as "everybody dies frustrated and sad, and that is beautiful." John Linnell has repeatedly insisted that some of the song's lyrical twists, though pondered extensively by fans, were constructed to complement the melody and were not necessarily meaningful. [3]
"The End of the World" is a sad song about the aftermath of a romantic breakup. Dee, the lyricist, said she drew on her sorrow from her father's death to set the mood for the song. Davis recorded her version with sound engineer Bill Porter on June 8, 1962, at the RCA Studios in Nashville, produced by Chet Atkins, and featuring Floyd Cramer. [1]