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Odilon Redon (born Bertrand Redon; French: [ɔdilɔ̃ ʁədɔ̃]; 20 April 1840 – 6 July 1916) was a French Symbolist draftsman, printmaker, and painter. Early in his career, both before and after fighting in the Franco-Prussian War , Redon worked almost exclusively in charcoal and lithography , works known as his noirs .
The Cyclops (Le Cyclope in French) is a painting by Odilon Redon that depicts the myth of the love of Polyphemus for the naiad Galatea. It was painted in oils on board, then mounted on wood, and is now in the Kröller-Müller Museum in the Netherlands. [1] The painting has been variously dated between 1898 and 1914.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
Thou art chaste and diest of desire, White night of ice and of the cruel snow!" [4] As André Fontainas noted 1928 in Mes souvenirs du Symbolisme, many artists since responded to it. [19] Prominent works influenced by the painting include: Jules Massenet's Herodiade (1877) Odilon Redon's Salome with the Head of John the Baptist and Apparition
History of art; Kröller-Müller Museum; Odilon Redon; Polyphemus; Post-Impressionism; Symbolist painting; The Cyclops (Redon) User:Dronebogus/Basement; User talk:Jane023/Paintings in the Kröller-Müller
Pages in category "French Symbolist painters" The following 27 pages are in this category, out of 27 total. ... Odilon Redon; Ary Renan; S. Léonard Sarluis;
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