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Menachem Taffel's body, part of the Jewish skeleton collection. The Jewish skull collection was an attempt by Nazi Germany to create an anthropological display to showcase the alleged racial inferiority of the "Jewish race" and to emphasize the Jews' status as Untermenschen ("subhumans"), in contrast to the Aryan race, which the Nazis considered to be superior.
Circumcision of Isaac, in the Jewish manuscript the "Regensburg Pentateuch", Germany, c. 1300. The shape of the hat is variable. Sometimes, especially in the thirteenth century, it is a soft Phrygian cap, but rather more common in the early period is a hat with a round circular brim—apparently stiff—curving round to a tapering top that ends in a point, [1] called the "so-called oil-can ...
Although I do respect the earlier references from which the skull information is based, I am of the viewpoint that the source material itself is not a sensible way to classify the groupings. For example, I know that ancient Jewish skulls are very different in shape and size from a European skull.
Memorial of the 86 Jewish victims murdered in 1943 at Struthof by August Hirt. Located at Institute of Anatomy of Strasbourg (Hôpital civil).. August Hirt (28 April 1898 – 2 June 1945) was an anatomist with Swiss and German nationality who served as a chairman at the Reich University in Strasbourg during World War II.
Manot Cave (Hebrew: מערת מנות Me'arat Manot) is a cave in Western Galilee, Israel, discovered in 2008. [2] It is notable for the discovery of a skull that belongs to a modern human, called Manot 1, which is estimated to be 54,700 years old (U–Th dating of the calcitic crust on the Manot 1 calvaria and of speleothems in the cave).
In his works, Hans F. K. Günther portrayed the Jewish people as a specifically non-European racial mixture comprising Armenoid, Semitic, and Negroid elements. [6] The German physical anthropologist Egon Freiherr von Eickstedt characterized the Jews as a racial mixture that is primarily of the Armenoid type. [7]
Ancient Jewish art, is art created by Jews in both the Land of Israel and in the Diaspora prior to the Middle Ages. It features symbolic or figurative motifs often influenced by biblical themes, religious symbols, and the dominant cultures of the time, including Egyptian , Hellenistic , and Roman art .
Altar at the traditional site of Golgotha The altar at the traditional site of Golgotha Chapel of Mount Calvary, painted by Luigi Mayer. The English names Calvary and Golgotha derive from the Vulgate Latin Calvariae, Calvariae locus and locum (all meaning "place of the Skull" or "a Skull"), and Golgotha used by Jerome in his translations of Matthew 27:33, [2] Mark 15:22, [3] Luke 23:33, [4 ...