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Portrait of Erasmus of Rotterdam by Hans Holbein the Younger. Authentic portraits are ideal, but none exist for the vast majority of historic personalities. Where they exist, authentic portraits, i.e. artistic depictions of a person that purport to provide an individualized, authentic representation of that person's unique looks, based either directly or indirectly on a witness's first-hand ...
Lynette Yiadom-Boakye (born 1977) is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours.
The artist calls her own works "imaginary portraits, dealing with the idea of childhood" [4] Her portraits are not portraits in the conventional sense, but rather constructed ones. "I make the person my own. A portrait allows the artist, as well as the viewer, the chance to mirror themselves in the other and to reflect on their own existence."
In 2017, she collaborated on a "selfie" project with W Magazine that was based on the concept of the "plandid", or "the planned candid photograph". Sherman utilized a variety of photo-correction apps to create her Instagram portraits. [52] From 2019 she showed self-portraits executed as tapestries by a Belgian workshop. [53] [54]
Evan Penny makes sculptures of human forms out of silicone, pigment, hair and aluminium saying his interest "is to situate the sculptures perceptually between the way we might see each other in real time and space and the way we imagine our equivalent in a photographic representation."
Vanessa, by Millais, 1868, Sudley House, Liverpool, a fancy portrait of Esther Vanhomrigh. A fancy portrait is a portrait of a real or literary character that takes the form of a conventional portrait, but is defined by the fact that its depiction of the character is derived from the artist's imagination rather than any authentic record of the person's appearance.
While the artist often creates a wax self-portrait, there are examples too of imaginary personalities and historical personae. For example, Gavin Turk had his portrait made as Sid Vicious ("Pop", Waxwork in vitrine 279 x 115 x 115 cm, 1993), Jan Fabre as a notorious thief (homage to Jacques Mesrine (Bust) II, 2008. Lifesize.
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