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A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony , as the performers take turns performing a solo section rather than performing simultaneously.
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
If the pieces in a series have distinct titles, for example the 21 pieces in Sports et divertissements, all titles are given. Many of Satie's works were not published until many years after they were composed, including a considerable number first published posthumously. This article gives the known or approximate date of composition for each work.
In classical music, it is relatively rare for a work to be written in collaboration by multiple composers. This contrasts with popular music, where it is common for more than one person to contribute to the music for a song. Nevertheless, there are instances of collaborative classical music compositions.
Philomel was written, as most of Babbitt's music was, on four tracks, with the set-up for the recording at the Macmillan Theatre. The piece could not have been attempted with live performers. According to Babbitt himself, "I could produce things faster than any pianist could play or any listener could hear. We were able to work with greater speeds.
The title "7-0-5" refers to the number of the score in the Glenn Miller music library. Each score had a number in the system that Miller and his arrangers devised. It was published as "Rock and Ride". The other titles that were used for the composition included "Goofin' Off" and "Jivin' the Blues".
The work is composed in a single movement and has a duration of approximately 25 minutes. Pre-recorded voices, increasingly distorted, list the names of some of the victims, followed by the word “Missing” after each name. [2] The work's sheet music is published by Boosey & Hawkes.
Connotations is scored for full symphony orchestra with augmented percussion. The complete ensemble includes piccolo, three flutes (third flute doubling second piccolo), two oboes, cor anglais, two clarinets, E-flat clarinet, bass clarinet, three bassoons (third bassoon doubling contrabassoon), six horns, four trumpets, four trombones, tuba, tympani, five percussionists (glockenspiel ...